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Wybieg

During the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the catwalk.
During the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the catwalk.
During the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the catwalk.
During the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the catwalk.
During the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the catwalk.
During the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the catwalk.
During the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the cDuring the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the catwalk.

Teatr Tańca Zawirowania
„Wybieg”

 

Białostocki Teatr Lalek, saturday, April 9th, 5:30 PM

 
 
During the performance, we will seek answers to these questions using cliches taken, among others, from dance and entertainment programs, Kamasutra, archetypal images of male-female relationships and elements of private contractors. Wybieg is a place of presentation models, but also an excuse, a way to get rid of the problem by the falsification of reality. We live under time pressure, appearance and beliefs. Surrender to terror expectations of a partner, but really 
disciplining ourselves - we remind animals, which after some time spent in captivity are gaining seeming freedom on the catwalk.
 
 
 
Zawirowania Dance Theatre is the longest active initiative, established in 2004 by the Contemporary Scene Foundation.  The founder and the director of Zawirowania Dance Theatre is Mr. Włodzimierz Kaczkowski. From the beginning the artistic director of the Theatre is Ms. Elwira Piorun, who used to be a soloist of the Polish National Ballet. Almost since its inception, Zawirowania Dance Theatre  not only actively involved in thecultural proccesses in Poland, but also showing it’s performances at the festivals around the world, starting with our European neighbors , through Asia, Africa finishing on North and South America.